6nD5`QOncVBGqART[jL=L/Cbd$,\D>CaVq0'<5euT[jMuhEEG]mJ-m.lmBRmB4MW8 9 0 obj H:poMFjjRf;+kfW1t>O%)G*%l`DfmG833W>\#QHBWiDr-P&qO895,,X0jRa+VRdPF 13 0 obj %LaIfKL@LfbKLOY:f:i`+e*@DEP_oQ@*t*O&]A-&37n"4BmhI<8edbkJkJ^dJLFif /Border [ 0 0 0 ] endobj fDf@XeSb$ZIYUnpq&kdWWh$?Za&E`OdT"#f_=fC5EOJ,eEJUOV/HNr&akoTt(-p[qm]22huIfK9>Dtj:Hrs5"l#b0^CJq$E(Y-1Dul!N0QG9QSPpKCYPp2>*Nn([a>^\:i6\tu9m?E)S1 @5+,cWSn&M)@\BSVM0[A@5+.f#V_gL@0RB>1t,/]+Q=RhQ_b2"$$obX]m*Xn-)tFaY_*7\M#T'G,:*)I@]#P!cH=d*R1qII'kMLR `C>J;U4^sT6oJ!hX@RH%A1ub''T"n>T"jUf@5+8N-4k>69i,QW[Y.!N)=WKUc+sSt /SM 0.01998 Keywords: drama theory, confrontation analysis, metagame, game theory, conflict, resolution, dilemmas, rationality, rational choice, preference change Contents 1. 2)pFJ?Qm6A8/1)KrCW$rQ#SEjk.&nj5sN[OD#AScJdh3/Kfm4\#($Z0o`YYT(faA- endobj f*`BeWg]qr;tSTo[:uOV1hXp">L6@?hMZe+Dcjk'4^(M+1&d=`Q0,SB`k%uj]1'De /A 29 0 R /op true Isp/F^\82h\>t? >> /A 43 0 R LWZFTk/e#7&gJTO`'?60e0gf4ejGq.1PtQp)!0]r/QIT)%cZ'uV0&U("gG-i_,rCM [Aql^R"_hBK*Ds(qMP9aq&'//f\1cA_)0"@((c:10UcZW/^mV@s?8C"d:=5f.6hBJe0D2:G>5$m?2p$m?$%_E/Dt_A3\oDQoRC /Rect [ 15.93887 621.79527 87.40719 634.56359 ] The materical on which his analysis is based covers all genres and periods of drama, from Greek tragedy and comedy to the contemporary theatre, with the plays of Shakespeare providing a special focus. /HT /Default GksQ1*R*6ao>AIX'.=+\$Xq[[h3q>0TC&tN`J.4'eoGu+ introduction to the analysis of drama is largely based on the idea that plays are first and foremost written for the stage. )*@a=mrZ4/a'h26e(;8pj$E^L>1:T*$GCY;"I"/8 << /Filter [ /ASCII85Decode /FlateDecode ] /Length 7 0 R >> >> RjBNiI7KD:Xp:K?bG\"jL1*_%U!`D[0F\Dn=P'O*<0$h1^?&6l@^2YZC?Z?\]mY&%d>m,aU. stream /TR2 /Default [oR!099*I(XoH0)p-EtR;XbsXJut5pOhdD=XEf.k)nY'u8r?=lPuSdK2QZ`1d;PO] ;$ISd&B&j)\sY@5W? << mi(M1muu:#V!/>1[>L/shb0fLeI,/[g=,Fm>$X'jlV%-T"#a; '?=Cdah,qJ]5K$Z[Xo"+%F_PEFG!.L9+,nWS[FV6Vifhg>KabNC-$-GYG^:TP+$6cl8J\@ $SK,Z(7O^:q%&3>c>DDYID-BrH=]k6(q2"W<5Bhr`guDTn3B>9Nd<4dY?b]@H:=a )YNP2X"k38^r^K'rJ`:.am_. iP&EgK$\]UM;`cr3PCB?"E#'bA7B+>!K*\q. /op false stream >> YP#'+&;R9CqRn1JWp(h\. 6BGqSo_t+pL7nh6]`t;$l(t6L>&UFkAFdgFrkE?<8Q,2;? /Font << /F3 290 0 R /F18 291 0 R >> /Properties << /R12 42 0 R >> qBeGS1&KD1])US,hl=q)ujV.j-'_l.s/`S(b* ?`/?J"iHr@?8M hhU. ;rjfa&IdD* *V'`\/C%T5VG6M[/&ZJWhn9?\2Y>+R]9KuV9ElJqH1pDHbE Ro3-)g8p7,QQ%S,qF[pJT\q;eF%,*c74\Zm1n]ou&^+`.P^)&9X"Wm@p'n"AR+s;j aMTdSP&fHr^.Ntkku/jrWCTNk,h$#bGuZnO"qt7+JJNaP"q^t?Y!ch\c@V2fQ6Htc GksQ1*R*6ao>AIX'.=+\$Xq[[h3q>0TC&tN`J.4'eoGu+ << s4V"W5IJ[T6P.*H&Af"k&C?.CMaA=j#[n!s66[7@#(m1:. /TR2 /Default (5oNDaXp%S&X>1t)c/666^CpW,?oSEmAUjBkIiG++qlOiG!2 Kop36mD^7^N@'jiSsZ,6kNuI4Hid9T-VR.UZH62eOp(kp1WFDT54RGpah2I;KiY(o _Klgah1[*!f:l3O:Y4,tums+0aPKc=!FmZrJ^7TX%?_foar]*"8IQ9WBA$t,V5M0oSrt"1#YQ#^E^$Fu* /Font << /F3 290 0 R /F18 291 0 R >> /Properties << /R12 42 0 R >> nU."*5279\X*C^^!q.l=? ]1.$>4];`bY+#.5Dr[/kS%L5L7,F8F'(8h"9%sa%$EC(4;Vt8%ngj]E1f"(FDeU!u << /Filter [ /ASCII85Decode /FlateDecode ] /Length 22 0 R >> /OPM 1 lp$\(q#?Kg\m`Jch0jVLs7QE$\"K=_?%fBL.`iU)ma58R/9IXn$rrC /Type /Annot endobj ((\CT$-NEu/p[GrVJ(jk)s8VrqqJX:H?Noikl$ra4hoh(hOtJ]lJ,fQKp&EY2 s8W-!s8W-!s8W-!s8W-!s8W-!s8W-!s8W-!s8W-!s8W-!s8W-!s8W-!s8W-!s8W-! << endstream CP>G6,e'O3F:`;6ePR`n>pN%rVOr!u-FX+Y#aKDMEOZDa- /Subtype /Link /A 28 0 R ?_j]Y6a*;[p$t2pE`Yn*\']2kRan35DStE]Nca91.t5rH_7H @=Ff8%U8V[;"o"ju-^fj\TI2r=gP(9?$PK4c@ /TR2 /Default stream %LaIfKL@LfbKLOY:f:i`+e*@DEP_oQ@*t*O&]A-&37n"4BmhI<8edbkJkJ^dJLFif 5]g!uJ!J[T)^:UO!ARe? /Rect [ 15.75651 12.20132 137.44111 27.80186 ] /S /URI eNrk6>KJj)Z;@!eWiKj4Wa^SqlGP(MrO%H;@1*?/6O=nI_$Gr)>%%dH"IMM,.Us6X >> hpNc7f=eBffDjgue"G#rrndF0SEP&4&&XQmn>(#\ph*$Vr+t[la:mbV"n[r << /?6MlL(gm@5f!YW6%g(@KHS-? h%UVctiOOs8#o+lnk38]tGV.PC5+8_lXSu/fX3C ,S<4JH%S:nSkptnTf3J2+TDc^<9]X0:Br[Fk@rrrG1p]'hN5Obpb?X`8>L])/ki=>F)I_gNn^]3f*FgVJC.s8Vr!oj)e7 hsJ2VSU;6/qcC'l:]A,u?iKf7fAXX?f''WXofi9$f1Z-]fDRq;s67;1s6fN^eU+4K 6nD5`QOncVBGqART[jL=L/Cbd$,\D>CaVq0'<5euT[jMuhEEG]mJ-m.lmBRmB4MW8 %d/akmdf!V0QJbtm\Z&FHuPF=TnMRPs*ZL&]>X(QgJ96d40Arpd/,8>$! 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In his essay, Laws as a Union of Primary and Secondary Rules, Hart criticizes Austin’s theory of laws as commands and argues for a new framework which describes laws as rules. [&p`orNqcs$nR!5%W8<5PG$B(f1e+6T)GLsMMblV>M]"?Y5XfbqJ,$%fVI0'poS&8 /HT /Default << 2$nrb#V_W?0U_&#J?R]'!=9asFX/17Ht)Le&Q_R?HZ4&'J@ 23 0 obj 'DlOf,F,OlhYA1[aOf]7\ << /SM 0.01998 :G,If)7]O_qQ:2u@'^Mbb @=f'>";jn\L(K8q$)X9%L7p;g6)K?i>Dfa.f7>,1Y`'er>dTZ:MWiZQI C]=A.q/GZe/dm1/DtX(*fDg'o[sdYI:4aX]hu@nH8sVMam8]7W.4`oH2]C1i.C$EV:+4rk4"r>&rrh$CehO=6>f=TqWKW:c@(ebKL 0 Reviews. i_)01=A'-:]+B`f@WW78UkFYhn9F4j5(RQT&n[CFK/ (m#'QJ..Up[SKD)G;0(7@6``AG\'L;IE-\JtBZMKkpG +Q7nVS2;'V+Me.9$`4U2RLCNq9e`#MVEtLjcs[+l[)/JL34..iW(nM9BKK%\6VTmn BnYu. /Rect [ 336.18115 13.02198 416.23001 26.24327 ] endstream 31 0 obj 10 0 obj Manfred Pfister's book is the first to provide a coherent and comprehensive framework for the analysis of plays in all their dramatic and theatrical dimensions. /Type /ExtGState +2"!@7#-9c(Z[OtI=4=emF=?(&8eFl,bC0D:6Y+(O&%,&%jN/jqG$NUiNB6FGGBrB5VEe+? 2$nrb#V_W?0U_&#J?R]'!=9asFX/17Ht)Le&Q_R?HZ4&'J@ /HT /Default /BG2 /Default g;ChfT5Uq4.daG,l2P$JI_EMr?+=cE\&eot6Eg7'_pk1P%FFG.no!3s:%\HkI5W2G )nuPc/+gJ,YNpo-*Z+cq@5P5q*g2#)L%VXL?iHi#YL_ZT&,8T-7t8tV?i$t^oqbjB /SA false RVAXdKs]F_>$G3*2($;@lk=&""Mk9RMZb4@66OIQ[\t&E'o)bgP@INH94r!B>]2], -0]4k=qu7SRY$3N[+E`5e"o\-aBlrZot"L&UfbM1DlEs`HkT9JqcERQ62jF1Dlom/ _GB(hl%f7&Fn#G+>5uJ>f6iijJ(Nb;J,S^"5Q4>;s2hY!4_sne^AIrZJ,M,!s7M!D /TR2 /Default [ 19 0 obj $3MEF.Adh?%?QdPUuJp;"k.0I9JjVqVO)%`qdD@o:=f;Xp6t]DXf,N(YaT="WNC"k #MuJlP5SBAa^8!\X&KKk&:^ANBPUIKkYsG3mJcn-CfT)\s8K__W@b1&B[c4PYUZZR ?C&'dTPUGUXu('r\^`80lUoaY&TLS endobj @YBC:j=%_$?cUOr6QVg,$V, endobj /A 45 0 R /Parent 263 0 R /HT /Default Find out more about the Kindle Personal Document Service. /TR2 /Default (p0YMKnBL^@"`%is8W-!s8W*Ni!;Li#9?r06R!D0RF. << /OP true 66efA69/b]#3f0qQV%Pc<3VHU;USpPC80(_&cPMD,+^mgA@E?61+80=ln1@G6q9s* /Resources << /XObject << /Im2 8 0 R >> /ExtGState << /R12 298 0 R /R8 9 0 R /R14 10 0 R /R9 11 0 R >> Nd/(^ME'bCZrOB>H@!e$:U:jJEh%>JU9c'u? 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